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My goodness it has been a krazy with a capital K time since my last post… I have been busy shooting a mixture of productions on a range of camera formats (no, not just pointing)…
From an MTV reality shoot ‘My Super Sweet’ (yes I have no shame) shot on Digi Beta – ‘Digi Beta!’ Yes, they do still sell the tape stock and yep I am keeping the old school alive!
To a project for Nokia featuring music performances shot on two HDSLR’s 5D MK II & 7D and finally some high end channel promos shot on a massively huge stage for a new sports channel,
oh plus two very sweaty days of filming landmarks of Abu Dhabi in 50 humidity, which was all shot on RED with the MX sensor woohooo!
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Oh yer, I threw some tilt shift lenses in the mix, inspired by Vincent Laforet’s Photographic work!
Vincent Laforet Tilt Shift Photography
Beautiful Photography, looks just like a toy town.
There will be a full interview with Vincent about his work with HDSLR’s on the blog in the next couple of weeks! Very Exciting!
Anyway, as promised THIS POST is about how I shot the Gulf Air (GA) commercial using the 5D MK II, so I should get on with it!
There is currently a Revolution in our industry and HDSLR (high definition single lens reflect) cameras are at the center of it!
Yep, the little camera that looks and feels like a stills camera, well is a stills camera… that has an incredible video function and due to this has muscled
it’s way past all the big fellas and safely found a spot in our industry.
Some people think this is a good thing like DP Gale Tattersall who shot the Season 6 finale episode of ‘House’ on 5D MK II and Philip Bloom who has championed them from the get go…whilst others are not so keen…
This DP Versus Producer video is great:
I love these types of videos, really funny, I can’t help but chuckle like Beavis all the way through..!
HDSLR’s are not just replacing HDV Cameras like the EX3, but competing against big players like RED… Now, if you compare the stats, they do not compare! RED shoots 4/4.5K
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