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The only part of a mighty Mass that the twenty-year-old (!) composer thought worthy of preserving (the rest of the Mass was reconstructed from orchestral parts discovered in a Belgian attic in the early 1990s), Berlioz’s “Resurrexit” is surely the most stirring realization of Jesus’ resurrection in all of music. It also makes one realize again how revolutionary was Berlioz’s music; the Mass was written three years before Beethoven’s death and yet already sounds like a work of post-Beeethovenian Romanticism—though its being Berlioz’s music, it resembles no other composer’s work.
“Resurrexit” from the Messe Solennelle, by Hector Berlioz (1824)
https://youtu.be/K-RX0XtBBnw